August 27th, 2019. Room No 420. Those that say Rap is a form of Hip-Hop couldn’t be more wrong – it can be, and often is, a component of hip-hop, but its origins pre-date the hip-hop culture, tracing it back to the African Griot culture, which in turn has links with the ancient Egyptians. As a matter of fact, even in the English language, to rap, once meant to converse, before the origin of the present usage as a term denoting a musical style. However, what is incontestable is the fact that it is an intrinsic part of the Black rhetorical continuum, is in a constant state of flux, as it is enriched real time, drawing on past traditions and expanding them with the creative use of language and styles. Rapping is, call it rhyming, spitting, emceeing o0r just MCing, a popular form of vocal delivery, chanted in a variety of ways usually with a backing beat or musical accompaniment. The beat is usually provided by beatboxer, turntablist, or DJ.
It was about this rap music that Crescendo, the music collective of the Bhawanipur Education Society College (BESC) organised a workshop, not only for the collective members to acquaint themselves with the finer nuances of the musical form, but also grasp its full purport to perform and regale audiences with.
Aniket Mullick and Iftekar, college students who are celebrated rappers in their own rights were the principal attractions of the workshop. There were fifteen hardcore rappers in presence.
The speakers, after dwelling on the history and evolution of Rap music stressed on the importance of message – of writing lyrics that touch a chord in the hearts of the audience as the most important part of rapping. The fact that it is neither the beat, nor the style of delivery but the meaningfulness of the lyrics that differentiate between the merely good and the great, was repeatedly driven home.
Being practicing rappers, Aniket and Iftikar were quick to spice their sermons with ample doses of rap-talk that was lapped up by those attending the workshop. The hands on (or was it words on) way in which the workshop was conducted, encouraging the participants to take the microphone and perform all that they wanted to communicate was, naturally a huge hit.
(This report has been filed by Tariq Ahmed along with camera person Shouvik Das of the Expressions collective of the BESC)
The COVID-19 pandemic has not only physically affected us, but also mentally and emotionally. It has seriously affected the lives of the youth. Where on one hand the pandemic was a threat to many and on the other hand, it was an opportunity for some, the youth in between were fighting their own battles, the …
The Department of History of The Bhawanipur Education Society organized a lecture on November 26, 2022, entitled ‘The Sleuth and the City: Historicizing the Fictional Detective and Urban Modernity.’ Mr. Arup Ratan Samajdar, CWTT, Department of Film Studies, BESC, was the session’s speaker. The lecture began at 2:30 pm in Room No. 547 with a …
The GD-PI round is considered to be the most crucial step in cementing one’s admission either to the B-schools in the country or to any organisation before recruitment. Most of the organisations of repute are in the practice of using it as the platform to enlist the deserving candidates and Bhawanipur Education Society College having …
The Department of English, The Bhawanipur Education Society College organized Peer Webinar: Chapter 7 on 20th May, 2022 at 7 pm. The speaker was Ms. Neetisha Jha; her paper was entitled Draupadi in Our Times: Representations, Retellings and Recontextualizations. The webinar was held on Google Meet and it was attended by the faculty members, and …
Crescendo Rapping
August 27th, 2019. Room No 420. Those that say Rap is a form of Hip-Hop couldn’t be more wrong – it can be, and often is, a component of hip-hop, but its origins pre-date the hip-hop culture, tracing it back to the African Griot culture, which in turn has links with the ancient Egyptians. As a matter of fact, even in the English language, to rap, once meant to converse, before the origin of the present usage as a term denoting a musical style. However, what is incontestable is the fact that it is an intrinsic part of the Black rhetorical continuum, is in a constant state of flux, as it is enriched real time, drawing on past traditions and expanding them with the creative use of language and styles. Rapping is, call it rhyming, spitting, emceeing o0r just MCing, a popular form of vocal delivery, chanted in a variety of ways usually with a backing beat or musical accompaniment. The beat is usually provided by beatboxer, turntablist, or DJ.
It was about this rap music that Crescendo, the music collective of the Bhawanipur Education Society College (BESC) organised a workshop, not only for the collective members to acquaint themselves with the finer nuances of the musical form, but also grasp its full purport to perform and regale audiences with.
Aniket Mullick and Iftekar, college students who are celebrated rappers in their own rights were the principal attractions of the workshop. There were fifteen hardcore rappers in presence.
The speakers, after dwelling on the history and evolution of Rap music stressed on the importance of message – of writing lyrics that touch a chord in the hearts of the audience as the most important part of rapping. The fact that it is neither the beat, nor the style of delivery but the meaningfulness of the lyrics that differentiate between the merely good and the great, was repeatedly driven home.
Being practicing rappers, Aniket and Iftikar were quick to spice their sermons with ample doses of rap-talk that was lapped up by those attending the workshop. The hands on (or was it words on) way in which the workshop was conducted, encouraging the participants to take the microphone and perform all that they wanted to communicate was, naturally a huge hit.
(This report has been filed by Tariq Ahmed along with camera person Shouvik Das of the Expressions collective of the BESC)
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The Department of History of The Bhawanipur Education Society organized a lecture on November 26, 2022, entitled ‘The Sleuth and the City: Historicizing the Fictional Detective and Urban Modernity.’ Mr. Arup Ratan Samajdar, CWTT, Department of Film Studies, BESC, was the session’s speaker. The lecture began at 2:30 pm in Room No. 547 with a …
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